Today I found not one, but two, different ladybugs walking on my truck. One looked like the seven-spot ladybug I drew from a photo during Inktober. My lunch break was almost over, so I decided to concentrate on the spotless wonderbug that was toiling up the window frame.
This took maybe 10 minutes, much of which time was spent staring at the bug. I didn’t have a magnifying glass to see it any better. Fortunately for me, the face makes it easy to identify both the bug and its gender: it is a male Cycloneda sanguinea. He stood still, cleaning his face for quite a while, and of course began walking away before I was quite done painting him. I watched him to the end of the door frame, where he spread wings and departed. A wonderful way to get back into plein aire sketching after spending time on some other projects!
Just a moody morning on the coast. I love the beach at dawn: it’s quiet and uncrowded, and the weather and waves have a subdued and beautiful vibe that can’t be found at any other time. Today, a fog bank held sway over the outer waters, providing a dramatic backdrop to the drilling platforms.
Bonus sketch: a random gull. This is tiny, a quarter would cover up most of the bird’s body.
This horse occupies the same page as the previous jewelry sketch. It came about for a very different reason than the first one. I received some paper samples to test, and decided to paint a full body carousel horse on it. Well, that paper and I are not a good fit! The entire experience was a disaster, drawing, inking, and painting. It felt and looked terrible. I’d taken a couple weeks off of painting to work on some other projects, surely I could not have lost my touch in so short a time… how to find out?
A spontaneous sketch, that’s how! This was done with a few swoops of the brush pen, and a splash or two of paint. So much better! The Garza Papel CP in my sketchbook works like a dream in comparison to the other paper. Not naming names until I’m ready to write a proper review; suffice to say that I won’t be buying that stuff anytime soon.
In the meantime, enjoy some fast, loose fantasy horses done on a joyful whim.
Made a necklace for someone’s Christmas gift. I hung it up in the sun and couldn’t resist painting it! Daniel Smith’s Graphite paint in the background.
OK, it’s a little late for Morevember, but it’s in the same style. Another aquarium fish, this time the less-well-known Blue Tetra. They are easy to find in fish stores but nowhere nearly as well known as their more colorful cousins. The subtle play of color was a fun challenge. The fish look silver at a glance, and show their brilliant flashing blue when the light hits them just right. Reflecting and pearlescent color has always fascinated me, so these fish are a natural favorite. A little white gouache over the dorsal area gave it the exact hint of translucency I was looking for. Like the Cardinal Tetra, this one has a careful pencil sketch below the ink and paint.
Putting all the values in with stippling was a tour de force, but an enjoyable one. I love watching a form emerge from thousands of tiny little dots. It’s amazing what we can do with ones and zeros.
I’m looking forward to more of these fish!
Scanned some very old artwork this week, from grade school to high school. I’d forgotten how much I loved carousel horses! Thought I would doodle in my sketchbook for old time’s sake. Not sure how well the backlighting worked out, but it was certainly fun to do. The vertical line to the right is the center of the book.
This was a very happy surprise while visiting family for the holidays: a Praying Mantis on my mom’s garage! The first I’ve seen in all the years she’s lived there, and the only one I have ever observed live and up close. Such incredibly interesting creatures. She was very visibly turning her head to keep an eye on me as I checked her out.
You might recognize this if you ever had a fish tank – well, almost. It’s a Cardinal Tetra, close relative of the Neon Tetra, which is one of the most popular aquarium fish in the world. I’ve always been a little obsessed with Cardinals and have kept plenty of them over the years. They’re hardy with a bit of care, and so incredibly beautiful. Saw a massive school of them at a public aquarium – in aggregate, they’re just breathtaking. Read more
And now, the last and final drawing of Inktober 2016. Some allergy has gotten the better of me lately, and if there hadn’t been a challenge on, I would probably have blown it off and gone to bed early. It’s been such a great month though! I couldn’t possibly let the last day go by without a sketch to commemorate the end.
So here it is, simple and seasonal and fun. This is my new best friend the Kuretake #40 Ink Brush and a few paints you’ve seen before: the orange team PO73/PO62, PY154 yellow, PV23 and burnt umber. Thanks to everyone who favorited and retweeted these, and especially @slczouk and @TheresaHaworth on Twitter for drawing through it with me. I would have probably fizzled out half way through except for you!
Now, at the suggestion of @GMTminus7, next month is going to be Morevember. I’m glad she said it, because I can’t stop anyway. Ink and wash is far too much fun to quit!
This is painted with permission, and an invitation, from @slczouk – link goes to the lovely photo she posted on Twitter. (Thanks, Sara!) All those swirls in the angel’s dress were irresistible! Like all the Inktober pieces, I went in cold with the ink, no preliminary pencil lines. There have been a few mishaps regarding proportion this month, so I watched carefully to make sure everything fit together, and that the whole statue fit on the page. The dress swirls are reasonably true to the ref – I went a little more freestyle in the wings, just to get it done in one evening.
Ink courtesy of the Kuretake #40 ink brush. (The cartridge ran out part way through, which was a very happy accident. The bristles were sufficiently ink-less for some nice drybrush texture on the monument base.) The statue is toned with Daniel Smith’s Bloodstone paint. I usually don’t like it, but here it offered just the right tint of color to give the statue a little character. The base is a combo of Bloodstone and Sodalite; trees are Green Apatite with touches of PO73, PO62, and PY154 for the fall leaves. Sodalite again in the sky. About 8.5″ x 4.5″ on Strathmore Windpower 140lb CP.