The sun found an old pallet this morning, and so did I. Fortunately it was just the right time for an irresistible display of shadows and lines!
The wood is rendered entirely in Raw Umber and Cobalt Blue mixed on the paper. Placing washes of pure color and letting them flow together naturally allows for soft grays to form, with a few saturated areas to keep it lively. The sawhorse leg behind is Daniel Smith’s Graphite, and a touch of Green Apatite forms the grass.
If you’re curious, here’s the rest of the pallet in context. Wish I’d had time to paint the entire scene!
I’m evidently feeling a little atmospheric this week!
The first was an experiment with PB27 and PR179, which I just added back to my palette after booting Piemontite off. Turns out those two neutralize (surprisingly) so I painted a cloud doodle to test them out. The clouds looked so creepy and dramatic, I gave them a jet to menace. It’s in calm air right at the moment, so I hope the passengers aren’t freaking out too hard. I’d be glued to the windows!
The other is a purely imaginary city scene wishing we could all get around by blimp. Life would just be better with more airships, right? This is also to test out a suggestion that cobalt blue plus a touch of black is just the right color for Mediterranean skies. I’ve got a few too many clouds there to notice the effect, but it does seem about right. Will have to do a bluer, broader sky soon and see for myself!
The queen palms serving as sentries for the mighty Date Palm. This is a favorite spot of mine in the landscaping, and these palms always seem so majestic. The viewpoint is a little below grade, from down among the blocks in the water feature. The decorative grasses are only about a foot tall, but I’m eye level to them here.
Laid out with the Kuretake #40 brush pen initially, then washed with color. The foremost palm frond and a few other points employ gouache, although the highlights on the date palm trunk are saved whites. Painted across the spread in my sketchbook.
Cobalt blue, green apatite, some PO62 to mute the blue and Jane’s gray mix for the background black glass building. The palm trunks are Raw Umber (with and without cobalt) and there’s a little PY129 and Naple’s Yellow among the greenery. Oh, and the shrubs are Jadeite. Nine pigments – no limited palette here! At least not for me.
There’s magnolia trees outside at at work. There was also a magnolia tree next door to the house I grew up in. Without my realizing it, that aroma seeped its way into my memories each year and became the olfactory theme for for late spring/early summer.
The first spring at this building I walked out the front door and immediately found myself feeling like school was about to let out. It’s a wonderful feeling, even if I only get to enjoy it for a lunch break!
This has been on my list for a while now. It’s the corner of the industrial property where I have studio space – the management recently saw fit to install a new fence with razor wire around the top. This amuses me to no end, because it’s really not a bad neighborhood at all. It looks all dystopian and prison-yardy though, and ensures that nothing short of birds, lizards, or very determined commandos can possibly be invading from that side of the property. Add some sun to create fabulous swirly shadows, and I can’t resist!
Had a rare opportunity to really put some time into a plein aire painting today. I spent most of the day working on this, from a very careful base sketch to laying in all the paint. The house really is shaped like a paralellogram! It’s old, it’s built right on the beach and it has obviously settled over the decades. To be honest, I’d love to live in it. That third floor has a window looking over the sea – guess which room would be my studio?
Ah, the tankers at sunset. Spent a lovely hour or two sketching while the sun went down. We were there late enough for the tankers’ lights to come on, so I dabbed those in with a bit of Bleedproof White. Otherwise, that’s cobalt, PO62, and a dash of PO73.
Tankers were not the only thing in view this evening – in addition to the usual birds and porpoises, I made friends with a beetle.
Wanna see a BIG spider? Take a look after the jump!
This was an unforgettable trip to the park – I was painting a fairly nondescript landscape of the pond when a man passed by, and asked if I had seen the osprey. I hadn’t, and of course asked him where it was. He pointed – maybe 20 feet away and practically over my head! All that time there was a fabulous bird of prey right out in the open, and I missed him completely!
I find lighthouses are irresistible subjects when I want to test some paper… there is no better excuse to paint a sky!
This is some 140lb Fabriano Cold Press that I’m considering for the next sketchbook. Have been using various brands of 140lb rough for the last three books and decided to change it up a bit. I like using something different in each, keeps me from getting stagnant.