Inktober 2016: Oct 30 – The Monument

103016-inktober-slczouk-statueThis is painted with permission, and an invitation, from @slczouk  – link goes to the lovely photo she posted on Twitter. (Thanks, Sara!) All those swirls in the angel’s dress were irresistible! Like all the Inktober pieces, I went in cold with the ink, no preliminary pencil lines. There have been a few mishaps regarding proportion this month, so I watched carefully to make sure everything fit together, and that the whole statue fit on the page. The dress swirls are reasonably true to the ref – I went a little more freestyle in the wings, just to get it done in one evening.

Ink courtesy of the Kuretake #40 ink brush. (The cartridge ran out part way through, which was a very happy accident. The bristles were sufficiently ink-less for some nice drybrush texture on the monument base.) The statue is toned with Daniel Smith’s Bloodstone paint. I usually don’t like it, but here it offered just the right tint of color to give the statue a little character. The base is a combo of Bloodstone and Sodalite; trees are Green Apatite with touches of PO73, PO62, and PY154 for the fall leaves. Sodalite again in the sky. About 8.5″ x 4.5″ on Strathmore Windpower 140lb CP.

Sentries

071516-Courtyard-PalmsThe queen palms serving as sentries for the mighty Date Palm. This is a favorite spot of mine in the landscaping, and these palms always seem so majestic. The viewpoint is a little below grade, from down among the blocks in the water feature. The decorative grasses are only about a foot tall, but I’m eye level to them here.

Laid out with the Kuretake #40 brush pen initially, then washed with color. The foremost palm frond and a few other points employ gouache, although the highlights on the date palm trunk are saved whites. Painted across the spread in my sketchbook.

Cobalt blue, green apatite, some PO62 to mute the blue and Jane’s gray mix for the background black glass building. The palm trunks are Raw Umber (with and without cobalt) and there’s a little PY129 and Naple’s Yellow among the greenery. Oh, and the shrubs are Jadeite. Nine pigments – no limited palette here! At least not for me.

Beach House

121315-Sunset-Bch-HouseHad a rare opportunity to really put some time into a plein aire painting today. I spent most of the day working on this, from a very careful base sketch to laying in all the paint. The house really is shaped like a paralellogram! It’s old, it’s built right on the beach and it has obviously settled over the decades. To be honest, I’d love to live in it. That third floor has a window looking over the sea – guess which room would be my studio?

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Last Light on the Aspens

Last-LightApparently my muse wants to go camping! A made-up scene inspired by all the pretty fall photos I’ve been seeing. 6″x9″ on Arches 140lb rough, PB60/PO48 with PO73, PY150, PY129 and a random splash of PG7 in the foliage.

Very pleased with the foreground shrubs, which are somewhat inspired by Roland Lee (a masterful painter of skies as well.)

I might do a larger version.

Originally posted on WetCanvas.com.