Ah, the tankers at sunset. Spent a lovely hour or two sketching while the sun went down. We were there late enough for the tankers’ lights to come on, so I dabbed those in with a bit of Bleedproof White. Otherwise, that’s cobalt, PO62, and a dash of PO73.
Tankers were not the only thing in view this evening – in addition to the usual birds and porpoises, I made friends with a beetle.
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Had a color fit this week, painted across the spread in my sketchbook. The black lines are freehand drawn with a permanent brush pen, with watercolor and a few touches of white gouache.
On Winsor and Newton 90lb hot press, about 8″ x 10″. Paints used? Oh, goodness.
Wanna see a BIG spider? Take a look after the jump!
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This was an unforgettable trip to the park – I was painting a fairly nondescript landscape of the pond when a man passed by, and asked if I had seen the osprey. I hadn’t, and of course asked him where it was. He pointed – maybe 20 feet away and practically over my head! All that time there was a fabulous bird of prey right out in the open, and I missed him completely!
I spontaneously decided to pick up a pizza one night and found myself with 20 minutes to kill and nothing to paint with. Curses! So I made good use of that time thinking through initial designs for this.
The plan was to create a unified thing that would hold paint, water, brush, something to sketch on, and a bit of paper towel to wipe the brush. It had to be 100% self contained – not that it’s bad to put a brush in a pocket, but in this case I wanted something that was entire and complete by itself, with no extra parts to forget. The palette could be limited but had to be adequate for general painting. Ideally all the parts would remain attached, so there’s nothing to drop while using it. Finally, I wanted it to fit in a back pocket, so it would be easy to grab-n-go without having to think about it.
Just found out it’s #DrawABirdDay on Twitter. Since “today” didn’t have much time left, I decided to Draw A Bird with my brush – no base sketch! About 20 minutes in my sketch book, from a Wikipedia ref.
I’ve always loved Killdeer, they have enchanted my summer nights since I was little. Didn’t find out for sure what birds they are until last month! They fly and call in the dark and you can’t see them. They never sound the same on the wetlands during the daytime.
6″ x 9″ on Fabriano Cold Press 140lbs. Bird: Raw Umber, Sicklerite, Jane’s Gray, and PO71 for the eye ring. For the background, a little Raw Sienna and premixed Hooker’s Green (PB27 and PY150).
Originally posted on WetCanvas.com.
My sketching tools go nearly everywhere with me – what it’s stored in has to be ready for any situation. I wanted something with a little class, very “me,” and just the right size. It had to hold the requisite art stuff, possibly a phone, and some ID. Any number of purses would have done the job, actually, but I’m not really into carrying purses! Some messenger bags looked good as well, but they were too big. Oh, and I didn’t have a huge budget for this either. Nothing out there really was just exactly right. What to do?
Why, make something of course! Read more
I’m designing a small case, like a mini messenger bag, for my sketch kit. It needs something cool to close it though. Thought about that for a while and came up with a solution based on a little thing that’s been sitting around on my bead board.
Once I had the idea, I painted it out at lunch today just for fun. The original bead design is on the sketchbook page, but it was at home – I did the sketch from memory.
About 6 x 6 on Fabriano CP 140lb.
Originally posted on WetCanvas.com
Finished a new sketchbook tonight, and took a few pics. This is my ninth handmade sketchbook and fifth hardbound. The first hardbound book I made in Feb 2012 used a sewn binding that is closer to traditional bookbinding. Since then, I experimented with different options; all five books look quite alike standing together on a shelf, but the underpinnings differ – and some fared much better than others! The last one worked very well though. Except for a few scuffs and dings, it looks as good as the day I made it.
That one was much easier than the first book linked above, and yet held up to daily use and abuse for the 6-9 months it takes me to fill one of these up. It’s really Rosemarie Lütken’s idea done with fancier materials, and looks/feels like a professionally bound book when it’s done. Here’s how I did it.
I find lighthouses are irresistible subjects when I want to test some paper… there is no better excuse to paint a sky!
This is some 140lb Fabriano Cold Press that I’m considering for the next sketchbook. Have been using various brands of 140lb rough for the last three books and decided to change it up a bit. I like using something different in each, keeps me from getting stagnant.