And now, the last and final drawing of Inktober 2016. Some allergy has gotten the better of me lately, and if there hadn’t been a challenge on, I would probably have blown it off and gone to bed early. It’s been such a great month though! I couldn’t possibly let the last day go by without a sketch to commemorate the end.
So here it is, simple and seasonal and fun. This is my new best friend the Kuretake #40 Ink Brush and a few paints you’ve seen before: the orange team PO73/PO62, PY154 yellow, PV23 and burnt umber. Thanks to everyone who favorited and retweeted these, and especially @slczouk and @TheresaHaworth on Twitter for drawing through it with me. I would have probably fizzled out half way through except for you!
Now, at the suggestion of @GMTminus7, next month is going to be Morevember. I’m glad she said it, because I can’t stop anyway. Ink and wash is far too much fun to quit!
This is a female Fiddler Crab. They’re not hard to find at aquarium stores, and I’ve had more than one as pets. Interesting creatures! The males have one very large claw that is waved about (to attract the females of course.) All of them are busy, curious, and entertaining as they prowl around their tank looking for food. Unfortunately, they’re usually sold as freshwater creatures. Read more
I think I’m in love with pen and ink.
This Bird of Paradise was drawn, and mostly painted, on location at lunchtime. There’s loads of these in the corporate landscaping; I was able to grab a chair from the cafe patio and get into some detail. The backlit sepals looked like stained glass! Approx. 4″ x 7″, same paper/ink as the others.
The pen was running out of ink toward the end of this sketch, but held out until the finish. Painted the flower itself on location and laid in the background (and a couple of touchups) at home. I didn’t plan to go all Halloween with the purple and orange, but kind of glad I did. PV23 is so deep, it helps set off the glow from the fiery sepals. Think I got the backlighting right – that doesn’t always turn out as intended for me.
Think this sketch got a little dark! I put some keys on the drafting table and drew them, so it’s like a mini-still-life. They were reflecting a lot more light on the upper parts, which I darkened trying to get contrast between one and the next. Not the best choice, but oh well. That’s what this is about, practicing and improving.
PV23 and PB29 for the background, Raw Sienna PBr7 on the keys, with a judicious dash of PV23 in the shadows. PR101 on the key ring. About 3″ x 3.5″ with the same ink, paper, pen as the wren.
It’s Inktober, and I am participating for the first time. To start, here’s my tools of choice! Not saying I won’t turn to another inking device at some point, but let’s start with these. I drew each item with the other, which turned out to be a good decision. The Kuretake #40 ink brush laid down some intense solid coverage to reveal the hard reflections on the shiny Platinum EF fountain pen. And, the EF pen brought on incredibly fine lines to capture the matte finish of the ink brush barrel. Real winners, both of them. Read more
Here’s another take on Il Fornaio. This time I wanted to capture the forest of umbrellas that shade their enclosed patio. Didn’t even notice, until deep in the sketch, that one of the umbrellas was a different shape than the others. I used a bit of Bleedproof White with PV23 to lay in the flower blossoms over the background. It was tempting to add a few silhouette diners behind the glass, but something told me that would go too far and I’d ruin it. Decided to listen for once and stopped, so here it is.