Today I found not one, but two, different ladybugs walking on my truck. One looked like the seven-spot ladybug I drew from a photo during Inktober. My lunch break was almost over, so I decided to concentrate on the spotless wonderbug that was toiling up the window frame.
This took maybe 10 minutes, much of which time was spent staring at the bug. I didn’t have a magnifying glass to see it any better. Fortunately for me, the face makes it easy to identify both the bug and its gender: it is a male Cycloneda sanguinea. He stood still, cleaning his face for quite a while, and of course began walking away before I was quite done painting him. I watched him to the end of the door frame, where he spread wings and departed. A wonderful way to get back into plein aire sketching after spending time on some other projects!
This horse occupies the same page as the previous jewelry sketch. It came about for a very different reason than the first one. I received some paper samples to test, and decided to paint a full body carousel horse on it. Well, that paper and I are not a good fit! The entire experience was a disaster, drawing, inking, and painting. It felt and looked terrible. I’d taken a couple weeks off of painting to work on some other projects, surely I could not have lost my touch in so short a time… how to find out?
A spontaneous sketch, that’s how! This was done with a few swoops of the brush pen, and a splash or two of paint. So much better! The Garza Papel CP in my sketchbook works like a dream in comparison to the other paper. Not naming names until I’m ready to write a proper review; suffice to say that I won’t be buying that stuff anytime soon.
In the meantime, enjoy some fast, loose fantasy horses done on a joyful whim.
And now, the last and final drawing of Inktober 2016. Some allergy has gotten the better of me lately, and if there hadn’t been a challenge on, I would probably have blown it off and gone to bed early. It’s been such a great month though! I couldn’t possibly let the last day go by without a sketch to commemorate the end.
So here it is, simple and seasonal and fun. This is my new best friend the Kuretake #40 Ink Brush and a few paints you’ve seen before: the orange team PO73/PO62, PY154 yellow, PV23 and burnt umber. Thanks to everyone who favorited and retweeted these, and especially @slczouk and @TheresaHaworth on Twitter for drawing through it with me. I would have probably fizzled out half way through except for you!
Now, at the suggestion of @GMTminus7, next month is going to be Morevember. I’m glad she said it, because I can’t stop anyway. Ink and wash is far too much fun to quit!
This is painted with permission, and an invitation, from @slczouk – link goes to the lovely photo she posted on Twitter. (Thanks, Sara!) All those swirls in the angel’s dress were irresistible! Like all the Inktober pieces, I went in cold with the ink, no preliminary pencil lines. There have been a few mishaps regarding proportion this month, so I watched carefully to make sure everything fit together, and that the whole statue fit on the page. The dress swirls are reasonably true to the ref – I went a little more freestyle in the wings, just to get it done in one evening.
Ink courtesy of the Kuretake #40 ink brush. (The cartridge ran out part way through, which was a very happy accident. The bristles were sufficiently ink-less for some nice drybrush texture on the monument base.) The statue is toned with Daniel Smith’s Bloodstone paint. I usually don’t like it, but here it offered just the right tint of color to give the statue a little character. The base is a combo of Bloodstone and Sodalite; trees are Green Apatite with touches of PO73, PO62, and PY154 for the fall leaves. Sodalite again in the sky. About 8.5″ x 4.5″ on Strathmore Windpower 140lb CP.
Look at this cutie! Drawn especially for someone who loves raccoons. Hard to believe I spent four days on this, but that’s what it took. I have spent so MANY years trying to get paint and water to save me drawing every little hair of fur-bearing critters. It’s been an enjoyable pursuit!
This time, I drew every little hair. And, I enjoyed every moment of it! Well, except for one horrifying hour.
This may be my favorite artwork of Inktober so far, if not the entire year! Now I understand why Flying Foxes are so called – fruit bats all seem to have very canine faces. Some do indeed look very fox-like; this one slightly less so. They are complex and interesting creatures I’d like to know a lot more about. Read more
This is a Lesser Short-Nosed Fruit Bat. It’s a long name for a very appealing critter! I like bats in general, and didn’t know this one had such a lovely face. Their mammalian nature is very apparent in the doglike snout and (apparently) soft fur.
So far he’s been a joy to draw. Wings and a body to come!
Remember the eye that was bugging me a few days ago? Well, I couldn’t stand it anymore!
After so many years of trying to be a watercolor purist, I finally realized that there’s no reason not to adapt a few things. There’s nothing wrong with opaque gouache, nor is there any reason why a given work has to be declared “done” at a given point and never ever touched again. This is a very freeing feeling, and I decided to exercise my new-found freedom on That Eye.
It took a little care, but ultimately wasn’t that hard to do. The Platinum Carbon ink did most of the work, as I knew it would. So, making the eye bigger and more oval was really not the problem. Recovering the lost catch light and the light rim that defines the lids, THAT was the problem. A few minutes with gouache and the problem was solved! It matched the watercolor perfectly and other than a slight difference in reflectance, looked as if it had been there all along.
So, Inktober Oct 22: One eye, a few blue highlights, and a big sigh of relief.
This is one of my personal favorite drawings of the year, because it was done in the company of my bestest friend on the planet.
We only had a day together, a day that started far inland and needed to make up for all the years we’ve missed in just a few short hours. Thanks to the magic of an old truck and a tank of gas, we accomplished all that and so much more. Time has been hard on both of us, but this is an eternal friendship: it picks up where it left off, regardless of years or miles, never a beat missed. Read more
A quick lunchtime plein aire of bright new leaves. Yes, that’s new leaves – no idea what kind of tree this is, but it makes new leaves and flowers in the fall. Whatever it is, it reminds me of an avocado tree, and the top of it is an easy target from my favorite space in the parking structure. Add some sunshine to backlight them, and I could not resist!
That rich color behind it is Daniel Smith’s Piemontite. Leaves are a combo of PY154 yellow and Green Apatite with a dash of Piemontite to pick up the “new leaf” redness visible on the brand-new foliage. It was first outlined with the Kuretake #40 ink brush, so I’m counting it in for Inktober.