Spent a fabulous (and chilly!) morning at the beach this weekend, with a very late storm moving in. The storm only bothered dropping a smidgen of rain, but more than made up for it with dramatic skies. There was a tanker at anchor looking close enough to touch, container ships waiting for POLA/POLB, and… something between the drilling platforms. What is that? Read more
This is painted with permission, and an invitation, from @slczouk – link goes to the lovely photo she posted on Twitter. (Thanks, Sara!) All those swirls in the angel’s dress were irresistible! Like all the Inktober pieces, I went in cold with the ink, no preliminary pencil lines. There have been a few mishaps regarding proportion this month, so I watched carefully to make sure everything fit together, and that the whole statue fit on the page. The dress swirls are reasonably true to the ref – I went a little more freestyle in the wings, just to get it done in one evening.
Ink courtesy of the Kuretake #40 ink brush. (The cartridge ran out part way through, which was a very happy accident. The bristles were sufficiently ink-less for some nice drybrush texture on the monument base.) The statue is toned with Daniel Smith’s Bloodstone paint. I usually don’t like it, but here it offered just the right tint of color to give the statue a little character. The base is a combo of Bloodstone and Sodalite; trees are Green Apatite with touches of PO73, PO62, and PY154 for the fall leaves. Sodalite again in the sky. About 8.5″ x 4.5″ on Strathmore Windpower 140lb CP.
We only had a day together, a day that started far inland and needed to make up for all the years we’ve missed in just a few short hours. Thanks to the magic of an old truck and a tank of gas, we accomplished all that and so much more. Time has been hard on both of us, but this is an eternal friendship: it picks up where it left off, regardless of years or miles, never a beat missed. Read more
Walked over to a different corporate park to check out their landscaping for a change. This park has an enormous manmade pond, big enough to support giant koi and to attract a variety of wildlife. Today, across the sand volleyball court, I spotted a Snowy Egret in the middle of the lake.
There’s some lily pads and pond equipment out there. The bird was standing on a pipe or something that was just at the surface, making it look like the bird was standing on the water. Several ducks were doing the same on other pipes. I stole quietly across the volleyball court, hoping the reeds would hide my approach. Shouldn’t have worried! Read more
Learned a couple things with this drawing. One, watch proportions! The head shape and eye size is a little different than the reference. It’s fine for practice, but not entirely *right*. Second, never use paint to do what you should have done with ink. I tried to get lazy and beef up one of the black neck stripes with Sodalite, and it just looked weird. Better to have just scratched away at it a little longer.
Third, perhaps, plan ahead. I was going to draw the entire bird and could see after a while that maybe 60% of him would fit on the page by the time I got done. Oops. Head portrait it is! This was about all I had time to draw anyway. Might do a full-bird drawing and stretch it over two days.
Reference is this Wikipedia photo.
This sketch started around Christmas as an exercise in painting water, and was supposed to be a boulder in a wild running stream. I put down the boulder and the Kyanite (the silvery-gray color) then got bored and moved on.
This week I decided that I was never going to paint the riverbank above the rock, so used the blank top half to practice a cerulean sky. This made the water look like the sea, except it needed a reason to be reflecting all that gray! That led to a storm moving in. A Monthly Challenge on WetCanvas.com, plus a film I’d seen, got me thinking about lighthouses. There was no reason why the boulder couldn’t be a small rocky island, so made a few adjustments, and there we are.
This is just a wee bit brighter IRL, but not much… there’s sort of cool haze to it, as if the light is weak and watery and all but snuffed out by the incoming weather. Funny experience, I was laying in the bottom of the clouds and the line looked more like the top of a mountain, and I actually thought, “Oh, look! A land mass!”
6″ x 9″ Arches 140lb rough, in my sketchbook. Paints mostly WN PB35 Cerulean, DS Bloodstone Genuine and Kyanite Genuine. There’s a touch of DS Sodalite Genuine for the darkest darks, and I can’t promise there isn’t a dash of DS Piemontite in the rocks as well. The scene is entirely made up, although I did check a few lighthouse refs to make sure the details were at least reasonably close to reality.