This is painted with permission, and an invitation, from @slczouk – link goes to the lovely photo she posted on Twitter. (Thanks, Sara!) All those swirls in the angel’s dress were irresistible! Like all the Inktober pieces, I went in cold with the ink, no preliminary pencil lines. There have been a few mishaps regarding proportion this month, so I watched carefully to make sure everything fit together, and that the whole statue fit on the page. The dress swirls are reasonably true to the ref – I went a little more freestyle in the wings, just to get it done in one evening.
Ink courtesy of the Kuretake #40 ink brush. (The cartridge ran out part way through, which was a very happy accident. The bristles were sufficiently ink-less for some nice drybrush texture on the monument base.) The statue is toned with Daniel Smith’s Bloodstone paint. I usually don’t like it, but here it offered just the right tint of color to give the statue a little character. The base is a combo of Bloodstone and Sodalite; trees are Green Apatite with touches of PO73, PO62, and PY154 for the fall leaves. Sodalite again in the sky. About 8.5″ x 4.5″ on Strathmore Windpower 140lb CP.
This sketch started around Christmas as an exercise in painting water, and was supposed to be a boulder in a wild running stream. I put down the boulder and the Kyanite (the silvery-gray color) then got bored and moved on.
This week I decided that I was never going to paint the riverbank above the rock, so used the blank top half to practice a cerulean sky. This made the water look like the sea, except it needed a reason to be reflecting all that gray! That led to a storm moving in. A Monthly Challenge on WetCanvas.com, plus a film I’d seen, got me thinking about lighthouses. There was no reason why the boulder couldn’t be a small rocky island, so made a few adjustments, and there we are.
This is just a wee bit brighter IRL, but not much… there’s sort of cool haze to it, as if the light is weak and watery and all but snuffed out by the incoming weather. Funny experience, I was laying in the bottom of the clouds and the line looked more like the top of a mountain, and I actually thought, “Oh, look! A land mass!”
6″ x 9″ Arches 140lb rough, in my sketchbook. Paints mostly WN PB35 Cerulean, DS Bloodstone Genuine and Kyanite Genuine. There’s a touch of DS Sodalite Genuine for the darkest darks, and I can’t promise there isn’t a dash of DS Piemontite in the rocks as well. The scene is entirely made up, although I did check a few lighthouse refs to make sure the details were at least reasonably close to reality.