The sun found an old pallet this morning, and so did I. Fortunately it was just the right time for an irresistible display of shadows and lines!
The wood is rendered entirely in Raw Umber and Cobalt Blue mixed on the paper. Placing washes of pure color and letting them flow together naturally allows for soft grays to form, with a few saturated areas to keep it lively. The sawhorse leg behind is Daniel Smith’s Graphite, and a touch of Green Apatite forms the grass.
If you’re curious, here’s the rest of the pallet in context. Wish I’d had time to paint the entire scene!
And now, the last and final drawing of Inktober 2016. Some allergy has gotten the better of me lately, and if there hadn’t been a challenge on, I would probably have blown it off and gone to bed early. It’s been such a great month though! I couldn’t possibly let the last day go by without a sketch to commemorate the end.
So here it is, simple and seasonal and fun. This is my new best friend the Kuretake #40 Ink Brush and a few paints you’ve seen before: the orange team PO73/PO62, PY154 yellow, PV23 and burnt umber. Thanks to everyone who favorited and retweeted these, and especially @slczouk and @TheresaHaworth on Twitter for drawing through it with me. I would have probably fizzled out half way through except for you!
Now, at the suggestion of @GMTminus7, next month is going to be Morevember. I’m glad she said it, because I can’t stop anyway. Ink and wash is far too much fun to quit!
This may be my favorite artwork of Inktober so far, if not the entire year! Now I understand why Flying Foxes are so called – fruit bats all seem to have very canine faces. Some do indeed look very fox-like; this one slightly less so. They are complex and interesting creatures I’d like to know a lot more about. Read more
This is a Lesser Short-Nosed Fruit Bat. It’s a long name for a very appealing critter! I like bats in general, and didn’t know this one had such a lovely face. Their mammalian nature is very apparent in the doglike snout and (apparently) soft fur.
So far he’s been a joy to draw. Wings and a body to come!
Remember the eye that was bugging me a few days ago? Well, I couldn’t stand it anymore!
After so many years of trying to be a watercolor purist, I finally realized that there’s no reason not to adapt a few things. There’s nothing wrong with opaque gouache, nor is there any reason why a given work has to be declared “done” at a given point and never ever touched again. This is a very freeing feeling, and I decided to exercise my new-found freedom on That Eye.
It took a little care, but ultimately wasn’t that hard to do. The Platinum Carbon ink did most of the work, as I knew it would. So, making the eye bigger and more oval was really not the problem. Recovering the lost catch light and the light rim that defines the lids, THAT was the problem. A few minutes with gouache and the problem was solved! It matched the watercolor perfectly and other than a slight difference in reflectance, looked as if it had been there all along.
So, Inktober Oct 22: One eye, a few blue highlights, and a big sigh of relief.
This is one of my personal favorite drawings of the year, because it was done in the company of my bestest friend on the planet.
We only had a day together, a day that started far inland and needed to make up for all the years we’ve missed in just a few short hours. Thanks to the magic of an old truck and a tank of gas, we accomplished all that and so much more. Time has been hard on both of us, but this is an eternal friendship: it picks up where it left off, regardless of years or miles, never a beat missed. Read more
This rather silly-looking songbird came with an extra challenge. I met a friend for an impromptu lunchtime drawing session. We both wanted to paint the same reference, so I placed it upside down for me (right-side-up for her). Call me a show-off, but it solved the problem and we had a lovely time drawing and chatting. Thing is, I was working an upside-down bird upside down, Betty Edwards style. Read more
Here’s a bird I’d never heard of before: an Azure Kingfisher. They have the best birds in Australia! Clearly my life is not going to be complete until I’ve been there. If all I did was spend a day out seeing wildlife it would be a plane ride well spent.
Kingfishers have giant beaks as a rule, so this is actually fairly proportionate to the source photo. The color was just crying out for a strong dose of PB29 Ultramarine (in gouache) and some Burnt Sienna did a nice job on the bird’s warm breast. What I am not happy with is the eye – it’s not a bad eye on its own and would be fine on a songbird. This is an Azure Kingfisher though, and they have enormous beady eyes. A disappointing lesson in minding proportions! Letting it go for today, though with gritted teeth.
About 3″ x 4″ on the Strathmore paper, with the Kuretake #40 ink brush.
Walked over to a different corporate park to check out their landscaping for a change. This park has an enormous manmade pond, big enough to support giant koi and to attract a variety of wildlife. Today, across the sand volleyball court, I spotted a Snowy Egret in the middle of the lake.
There’s some lily pads and pond equipment out there. The bird was standing on a pipe or something that was just at the surface, making it look like the bird was standing on the water. Several ducks were doing the same on other pipes. I stole quietly across the volleyball court, hoping the reeds would hide my approach. Shouldn’t have worried! Read more
The crab left an odd gap on my page, so I found something that would fill it right up. The Toco Toucan gets the job done! He’s mostly ink, with some color obviously on the head, feet, and that incredible beak. (Funny thing about toucans. Their bills are large, but not very powerful. It can be hard for them to crunch up a grape!) This one has a wash of PO62 Benzi Orange on the eye spot and beak, with a further wash of PO73 Pyrrole Orange to deepen the color, and PB28 Cobalt Blue to give a little shadow. The feet are PB28/PO62 mixed on the paper. Finally, there’s a streak of PBr7 Burnt Umber on the branch.
Background is PV19 Rose Deep and PB16 Phthalo Turquoise. Those two are an odd combination and I hated it for a minute. The turquoise is far too green to normally make a good purple, and I should have known that. Fortunately it smoothed out into a decent-looking red-violet. Drawn with the Kuretake #40 brush.
Reference photo from Wikipedia.