You might recognize this if you ever had a fish tank – well, almost. It’s a Cardinal Tetra, close relative of the Neon Tetra, which is one of the most popular aquarium fish in the world. I’ve always been a little obsessed with Cardinals and have kept plenty of them over the years. They’re hardy with a bit of care, and so incredibly beautiful. Saw a massive school of them at a public aquarium – in aggregate, they’re just breathtaking. Read more
After so many years of trying to be a watercolor purist, I finally realized that there’s no reason not to adapt a few things. There’s nothing wrong with opaque gouache, nor is there any reason why a given work has to be declared “done” at a given point and never ever touched again. This is a very freeing feeling, and I decided to exercise my new-found freedom on That Eye.
It took a little care, but ultimately wasn’t that hard to do. The Platinum Carbon ink did most of the work, as I knew it would. So, making the eye bigger and more oval was really not the problem. Recovering the lost catch light and the light rim that defines the lids, THAT was the problem. A few minutes with gouache and the problem was solved! It matched the watercolor perfectly and other than a slight difference in reflectance, looked as if it had been there all along.
So, Inktober Oct 22: One eye, a few blue highlights, and a big sigh of relief.
Here’s a bird I’d never heard of before: an Azure Kingfisher. They have the best birds in Australia! Clearly my life is not going to be complete until I’ve been there. If all I did was spend a day out seeing wildlife it would be a plane ride well spent.
Kingfishers have giant beaks as a rule, so this is actually fairly proportionate to the source photo. The color was just crying out for a strong dose of PB29 Ultramarine (in gouache) and some Burnt Sienna did a nice job on the bird’s warm breast. What I am not happy with is the eye – it’s not a bad eye on its own and would be fine on a songbird. This is an Azure Kingfisher though, and they have enormous beady eyes. A disappointing lesson in minding proportions! Letting it go for today, though with gritted teeth.
About 3″ x 4″ on the Strathmore paper, with the Kuretake #40 ink brush.