Birdy at left drawn with the Platinum EF fountain pen on Strathmore 140lb Windpower CP.
The queen palms serving as sentries for the mighty Date Palm. This is a favorite spot of mine in the landscaping, and these palms always seem so majestic. The viewpoint is a little below grade, from down among the blocks in the water feature. The decorative grasses are only about a foot tall, but I’m eye level to them here.
Laid out with the Kuretake #40 brush pen initially, then washed with color. The foremost palm frond and a few other points employ gouache, although the highlights on the date palm trunk are saved whites. Painted across the spread in my sketchbook.
Cobalt blue, green apatite, some PO62 to mute the blue and Jane’s gray mix for the background black glass building. The palm trunks are Raw Umber (with and without cobalt) and there’s a little PY129 and Naple’s Yellow among the greenery. Oh, and the shrubs are Jadeite. Nine pigments – no limited palette here! At least not for me.
Here’s another take on Il Fornaio. This time I wanted to capture the forest of umbrellas that shade their enclosed patio. Didn’t even notice, until deep in the sketch, that one of the umbrellas was a different shape than the others. I used a bit of Bleedproof White with PV23 to lay in the flower blossoms over the background. It was tempting to add a few silhouette diners behind the glass, but something told me that would go too far and I’d ruin it. Decided to listen for once and stopped, so here it is.
There’s magnolia trees outside at at work. There was also a magnolia tree next door to the house I grew up in. Without my realizing it, that aroma seeped its way into my memories each year and became the olfactory theme for for late spring/early summer.
The first spring at this building I walked out the front door and immediately found myself feeling like school was about to let out. It’s a wonderful feeling, even if I only get to enjoy it for a lunch break!
Thought I would take a break from the courtyard people and sketch this restaurant at lunch. It’s a sit-down place with a quick-serve sandwich shop off to one side – this is the door to the shop. I found a lovely shady spot on the open patio and soaked up some fresh spring air, and painted away.
Just for grins, take a look after the jump for my take on the same shop from early 2012. Read more
This has been on my list for a while now. It’s the corner of the industrial property where I have studio space – the management recently saw fit to install a new fence with razor wire around the top. This amuses me to no end, because it’s really not a bad neighborhood at all. It looks all dystopian and prison-yardy though, and ensures that nothing short of birds, lizards, or very determined commandos can possibly be invading from that side of the property. Add some sun to create fabulous swirly shadows, and I can’t resist!
I do almost all my painting with a waterbrush. The vast majority of my work is outside on location, and waterbrushes are perfectly suited for that kind of habit. Thinking about finding a nicer waterbrush led me into the world of brush pens, and just for grins I bought a Pentel Color Brush with black pigment ink, to try out the concept.
Results? I’m in LOVE.
Saw this guy in a food court, and his hair was a character unto itself. Fortunately he was also waiting for food, so I had time to sketch and paint him while my Pad Thai was cooking. One of the first faces I have attempted to draw in any detail.
The ladies were deep in conversation for a good 20 minutes, enough for a nice detailed sketch. They were both dressed in silvery grays but I decided later to brighten them up a bit.
After they left, the gent with the phone arrived and sat in their place. He was head-to-toe in black except for one mad streak of blue provided by his collar.
I’m very happy with how these turned out – starting to like pen and ink more and more.
The beach at dawn, my favorite time to go. It’s deserted and the sky is almost always at its best! Today a band of mist masqueraded as virga, and the rising sun washed everything in pastels. Also spotted a Heerman’s Gull, unafraid as I stared at him. Did not know which gull this is until I looked it up at home, but the field marks were obvious enough to ID him later.
Painted across the spine in my sketchbook. Green Apatite, PR101, PB35, Jane’s Gray, PO71, Raw Umber. Ridiculous amount of pigments there!
Both painted at lunchtime, from memory.