Inktober: Oct 5 – The Key Clip

100516-inktober-copper-clipIt was getting late last night, so I decided to draw a tiny thing. Here’s the copper clip off of the keys from Oct. 3. It’s a little larger than life size, whole thing is about 1″ x 2″. Still ended up being some good unwinding time. Strathmore 140lb CP Windpower paper, Platinum EF pen, Platinum Carbon ink.

Inktober: Oct 4 – Bird of Paradise

1004116-inktober-bopI think I’m in love with pen and ink.

This Bird of Paradise was drawn, and mostly painted, on location at lunchtime. There’s loads of these in the corporate landscaping; I was able to grab a chair from the cafe patio and get into some detail. The backlit sepals looked like stained glass! Approx. 4″ x 7″, same paper/ink as the others.

The pen was running out of ink toward the end of this sketch, but held out until the finish. Painted the flower itself on location and laid in the background (and a couple of touchups) at home. I didn’t plan to go all Halloween with the purple and orange, but kind of glad I did. PV23 is so deep, it helps set off the glow from the fiery sepals. Think I got the backlighting right – that doesn’t always turn out as intended for me.

 

Inktober: Oct. 3 – Keys

100316-inktober-keysThink this sketch got a little dark! I put some keys on the drafting table and drew them, so it’s like a mini-still-life. They were reflecting a lot more light on the upper parts, which I darkened trying to get contrast between one and the next. Not the best choice, but oh well. That’s what this is about, practicing and improving.

PV23 and PB29 for the background, Raw Sienna PBr7 on the keys, with a judicious dash of PV23 in the shadows. PR101 on the key ring. About 3″ x 3.5″ with the same ink, paper, pen as the wren.

Inktober: Oct. 2 – Bob Tarte’s Sedge Wren

100216-inktober-sedge-wrenToday’s entry is a serenading Sedge Wren, drawn from Bob Tarte’s fabulous photo and used with his generous permission. Thanks Bob! Do check out his books and podcast at bobtarte.com.

Birdy at left drawn with the Platinum EF fountain pen on Strathmore 140lb Windpower CP.

Inktober: Oct 1

100116-inktober-pensIt’s Inktober, and I am participating for the first time. To start, here’s my tools of choice! Not saying I won’t turn to another inking device at some point, but let’s start with these. I drew each item with the other, which turned out to be a good decision. The Kuretake #40 ink brush laid down some intense solid coverage to reveal the hard reflections on the shiny Platinum EF fountain pen. And, the EF pen brought on incredibly fine lines to capture the matte finish of the ink brush barrel. Real winners, both of them. Read more

Another Lighthouse Paper Test: Fabriano Cold Press

100714 Fabriano CP lighthouse test_CCI find lighthouses are irresistible subjects when I want to test some paper… there is no better excuse to paint a sky!

This is some 140lb Fabriano Cold Press that I’m considering for the next sketchbook. Have been using various brands of 140lb rough for the last three books and decided to change it up a bit. I like using something different in each, keeps me from getting stagnant.

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The Third Bird: Brandt’s Cormorant

091814 Brandts Corm CCI painted three water birds to check out the Garza Papel 140lb sample sheets. Here’s bird #3, a Brandt’s Cormorant. Source image courtesy of stalksthedawn in the WetCanvas Reference Image Library.

Garza 140lb CP, PB28 Cobalt and PBr7 Burnt Sienna. Some of the darker grays are PB29+PBr7. Painted him with thoughts of the compromised young Brandt’s that practically flopped onto my feet during a morning beach walk a few weeks ago. He was struggling to move out of the surf zone and it almost seemed like he came to us for help.

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A Repair Job – American Avocet

082314 AAvocet MaskingI decided to paint a series of shorebirds on some of those lovely Garza Papel sample sheets. For extra fun/practice I am doing them without sketching first, just put up a ref and dive in. The Great Blue (heron) turned out nice, so I decided to do an American Avocet next. It was an adventure! I thought others might benefit from seeing a rescue operation in progress.

The short version: Better to plan ahead than try to fix things!

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The Great Blue

The-Great-Blue-081214Testing a free sample of Garza Papel. I’m in love!! They have a standing offer for free samples, which I highly recommend if you’ve never used their paper. Now that I’ve tried it, I’m dying to purchase and make a sketchbook out of it… have to save up first though. It will be worth it.

Cobalt blue PB28 and Burnt Sienna PBr7. I mixed the samples up accidentally, this one feels like 140lb CP. It’s about 5.5″ x 7.5″.

The reference was a Great Blue Heron, although the red came on too strong and it’s looking more like a Little Blue Heron. Oh well. No base sketch, I just went right in with a wet brush, for the challenge.

Originally posted on WetCanvas.com.

Lighthouse Paper Test

042214-Lighthouse-detail042214-Lighthouse-paper-testPaper test! The first washes looked really good, so I decided to finish it up. PB28, PO62, and PBr7 Burnt Umber. It’s 12″ x 4″ on 140lb Fabriano Artistico Rough.

And yes, I love the paper!