This is painted with permission, and an invitation, from @saraofwhimsy – link goes to the lovely photo she posted on Twitter. (Thanks, Sara!) All those swirls in the angel’s dress were irresistible! Like all the Inktober pieces, I went in cold with the ink, no preliminary pencil lines. There have been a few mishaps regarding proportion this month, so I watched carefully to make sure everything fit together, and that the whole statue fit on the page. The dress swirls are reasonably true to the ref – I went a little more freestyle in the wings, just to get it done in one evening.
Ink courtesy of the Kuretake #40 ink brush. (The cartridge ran out part way through, which was a very happy accident. The bristles were sufficiently ink-less for some nice drybrush texture on the monument base.) The statue is toned with Daniel Smith’s Bloodstone paint. I usually don’t like it, but here it offered just the right tint of color to give the statue a little character. The base is a combo of Bloodstone and Sodalite; trees are Green Apatite with touches of PO73, PO62, and PY154 for the fall leaves. Sodalite again in the sky. About 8.5″ x 4.5″ on Strathmore Windpower 140lb CP.
This may be my favorite artwork of Inktober so far, if not the entire year! Now I understand why Flying Foxes are so called – fruit bats all seem to have very canine faces. Some do indeed look very fox-like; this one slightly less so. They are complex and interesting creatures I’d like to know a lot more about. Read more
This is a Lesser Short-Nosed Fruit Bat. It’s a long name for a very appealing critter! I like bats in general, and didn’t know this one had such a lovely face. Their mammalian nature is very apparent in the doglike snout and (apparently) soft fur.
So far he’s been a joy to draw. Wings and a body to come!
Remember the eye that was bugging me a few days ago? Well, I couldn’t stand it anymore!
After so many years of trying to be a watercolor purist, I finally realized that there’s no reason not to adapt a few things. There’s nothing wrong with opaque gouache, nor is there any reason why a given work has to be declared “done” at a given point and never ever touched again. This is a very freeing feeling, and I decided to exercise my new-found freedom on That Eye.
It took a little care, but ultimately wasn’t that hard to do. The Platinum Carbon ink did most of the work, as I knew it would. So, making the eye bigger and more oval was really not the problem. Recovering the lost catch light and the light rim that defines the lids, THAT was the problem. A few minutes with gouache and the problem was solved! It matched the watercolor perfectly and other than a slight difference in reflectance, looked as if it had been there all along.
So, Inktober Oct 22: One eye, a few blue highlights, and a big sigh of relief.
This is one of my personal favorite drawings of the year, because it was done in the company of my bestest friend on the planet.
We only had a day together, a day that started far inland and needed to make up for all the years we’ve missed in just a few short hours. Thanks to the magic of an old truck and a tank of gas, we accomplished all that and so much more. Time has been hard on both of us, but this is an eternal friendship: it picks up where it left off, regardless of years or miles, never a beat missed. Read more
A quick lunchtime plein aire of bright new leaves. Yes, that’s new leaves – no idea what kind of tree this is, but it makes new leaves and flowers in the fall. Whatever it is, it reminds me of an avocado tree, and the top of it is an easy target from my favorite space in the parking structure. Add some sunshine to backlight them, and I could not resist!
That rich color behind it is Daniel Smith’s Piemontite. Leaves are a combo of PY154 yellow and Green Apatite with a dash of Piemontite to pick up the “new leaf” redness visible on the brand-new foliage. It was first outlined with the Kuretake #40 ink brush, so I’m counting it in for Inktober.
This rather silly-looking songbird came with an extra challenge. I met a friend for an impromptu lunchtime drawing session. We both wanted to paint the same reference, so I placed it upside down for me (right-side-up for her). Call me a show-off, but it solved the problem and we had a lovely time drawing and chatting. Thing is, I was working an upside-down bird upside down, Betty Edwards style. Read more
Here’s a bird I’d never heard of before: an Azure Kingfisher. They have the best birds in Australia! Clearly my life is not going to be complete until I’ve been there. If all I did was spend a day out seeing wildlife it would be a plane ride well spent.
Kingfishers have giant beaks as a rule, so this is actually fairly proportionate to the source photo. The color was just crying out for a strong dose of PB29 Ultramarine (in gouache) and some Burnt Sienna did a nice job on the bird’s warm breast. What I am not happy with is the eye – it’s not a bad eye on its own and would be fine on a songbird. This is an Azure Kingfisher though, and they have enormous beady eyes. A disappointing lesson in minding proportions! Letting it go for today, though with gritted teeth.
About 3″ x 4″ on the Strathmore paper, with the Kuretake #40 ink brush.
Not much to this sketch – it rained for the first time in months and I had to commemorate that somehow! These blades of grass had been intriguing me for weeks anyway. They were choking out the ornamental grasses in my favorite sketching corner. All of that dancing and waving in the breeze was making me want to draw them anyway; a few sparkly waterdrops finally made them irresistible. Approx 6.5″ x 4.5″ on Strathmore Windpower 140lb CP.
Garibaldi are the largest members of the Damselfish family, which surprised me. I’m only familiar with the smaller damselfish commonly found in people’s aquariums. Apparently Garibaldi are easy to find if you’re diving or exploring the sea with a glass-bottom boat. It’s hard to imagine something so colorful inhabiting our local waters!
This time I thought to scan the fish before painting it. It’s the largest drawing of Inktober 2016 so far and possibly the largest thing I have drawn all year. Someone offered me knitted socks in exchange for a Garibaldi painting – I figured if she was going to work that hard, I had better do the same! This fish takes up the entire 9″ x 12″ page from the Windpower pad. I put down the base drawing with the Kuretake #40 ink brush using several reference images. Now, on to the paint! Read more